Hardcover: 288 pages
Publisher: Merrell Holberton (March 2004)
Product Dimensions: 11.3 x 9.2 x 1 inches
Shipping Weight: 4 pounds
Average Customer Review: 4.6 out of 5 stars See all reviews (5 customer reviews)
Best Sellers Rank: #927,462 in Books (See Top 100 in Books) #17 in Books > Crafts, Hobbies & Home > Antiques & Collectibles > Political #4933 in Books > Arts & Photography > History & Criticism > Criticism
This must be one of the most beautiful book that I have ever come acrossed. The cover is very imposing and impressive with the portrait of the Emperor Qian Long, the 4th emperor of the Ching Dynasty. The book contains wonderful history about the rise of the Manchurians and how they replaced the Ming Dynasty in the 17th century A.D.In this book it discuss the origins of the Manchurian and where they originated from and how they ascended the imperial throne of China and ruled over a nation with the largest human population of their time. A country that has been known for its inventions and a long history dating back to early beginning of Chinese civilization.This book talks about the Emperor Qian Long and the reign that brought China prosperity and peace. The centuries before that, relations between the Han Chinese and the Manchurians were a little bit unstable. However during Qian Long's reign the country became stable. The country prospered, the relations been the Han Chinese and the Manchurian wasn't as much strained. There are wonderful photographs of robes and jewellry worn by the empror and his wives and family members. Also sections talk about traditions that were Manchurian and others that were created through generations like the wearing of triple earrings by the women. The large headdresses worn by the Manchurian court ladies and the emperor's wives, princesses etc... which in the beginning weren't even of Manchurian origin that has become part of a iconic tradition often associated with the Ching Dynasty. The dragon robe worn by the emperor and the long queues kept by Emperor and the Han Chinese subjects were made to conform to practice which became the stereo type associated with the West in regards to the Chinese.
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