Hardcover: 224 pages
Publisher: Voyageur Press; First Edition, First edition (October 21, 2012)
Product Dimensions: 10 x 0.9 x 11.2 inches
Shipping Weight: 3.1 pounds
Average Customer Review: 4.8 out of 5 stars See all reviews (13 customer reviews)
Best Sellers Rank: #389,109 in Books (See Top 100 in Books) #24 in Books > Crafts, Hobbies & Home > Antiques & Collectibles > Performing Arts #93 in Books > Arts & Photography > Music > Biographies > Punk #131 in Books > Arts & Photography > Music > Musical Genres > Punk
Nine hundred images, mostly record sleeves from many recalled or forgotten bands, illustrate this large-format presentation of the evolution, rise, and dominance of the punk aesthetic over the past forty-odd years. Russ Bestley and Alex Ogg contribute a deft introduction, short topical essays and captions. Interviews with familiar pioneers such as John Holmstrom, Jamie Reid, and Malcolm Garrett enrich the contents, along with lesser-known designers like LukTam89: this typifies the broader chronological and geographical scope that this edition emphasizes.This range, from the counterculture of the early 1970s to the globalized anarchists and D.I.Y. provocateurs who continue the anti-corporate ideology far from the Broadway adaptation of Green Day's American Idiot or the shelves at the Hot Topic franchise, exemplifies the reach of a movement tired of the mainstream. But, it's a movement very eager, in many cases past and present, to court mass acceptance as well as media outrage, manufactured more often than genuine. Bestley and Ogg begin by covering terrain already trod by contributors to the interviews in Jon Savage's England's Dreaming and John Robb's Punk Rock: An Oral History (see my reviews of Savage's England Dreaming Tapes, Robb, and Nicholas Rombes' A Cultural Dictionary of Punk for three contexts). The analysis here fits into what has emerged as the conventional narrative. However, it expands the usual Malcolm McLaren-Vivienne Westwood-Situationists-Sex Pistols-Kings Road Chelsea chronology as it continues.
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