File Size: 16110 KB
Print Length: 570 pages
Page Numbers Source ISBN: 0415722071
Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits
Publisher: Focal Press; 4 edition (August 7, 2014)
Publication Date: August 7, 2014
Sold by: Digital Services LLC
Language: English
ASIN: B00LW27IB4
Text-to-Speech: Enabled
X-Ray: Not Enabled
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting: Not Enabled
Best Sellers Rank: #401,842 Paid in Kindle Store (See Top 100 Paid in Kindle Store) #104 in Books > Computers & Technology > Digital Audio, Video & Photography > Digital Audio Production #155 in Kindle Store > Kindle eBooks > Humor & Entertainment > Movies & Video > Direction & Production #155 in Kindle Store > Kindle eBooks > Humor & Entertainment > Movies & Video > Video > Direction & Production
Jay Rose covers all of the technical aspects of sound for film and video. He begins this book with an explanation of the physics of sound, how digital sound differs from analog sound, and how sound is transmitted over wires in the process of creating sound to accompany visual media. In the section on planning and pre-production, the author explains the various types of sound that can be used in film and video (spoken words, music, sound effects and even silence) and how to prepare for recording, including budgeting, with hard dollar numbers suggested. The third section describes microphones and recording techniques. (The chapter on voice over, automated dialog replacement and recording sound effects must be downloaded as a PDF.) Rose next describes the post-production stage with a look at equipment, and editing voices, music and sound effects, including a number of tips on processing the sound and creating the mix. There is a final chapter where Rose presents a list of problems that one might have with audio and where to find solutions in the book. Throughout the book, the author provides links to sound files that will help the reader better understand what is being presented.The book is aimed at directors and other people who must understand the audio process as well as the technicians who actually record and process the sound. It is mostly technical in nature, so that while the author may tell the reader how to connect dissimilar pieces of equipment or how to edit dialog to cut out words so that the cuts are not noticeable, there is little mention of how to actually design the sound to make the visual presentation more effective.
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