Paperback: 304 pages
Publisher: Mariner Books; Reprint edition (June 6, 2008)
Product Dimensions: 5.5 x 0.8 x 8.2 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
Average Customer Review: 4.3 out of 5 stars See all reviews (291 customer reviews)
Best Sellers Rank: #41,960 in Books (See Top 100 in Books) #15 in Books > Cookbooks, Food & Wine > Asian Cooking > Chinese #172 in Books > Literature & Fiction > Genre Fiction > Historical > Cultural Heritage #546 in Books > Cookbooks, Food & Wine > Regional & International
There are certain times where I feel a certain condescension when I read foreigners trying to read meanings and poetry into what I feel is my domain as a person of Chinese ancestry. This isn't one of those times. In fact I feel humbled and delighted by the lessons that Nicole Mones was able to impart upon me.It is rare that I get up from a book about China so totally enthralled and educated from a tome written by a yang ren, a foreigner. This book is the second book that has made me feel this way in the last few years. The first was Oracle Bones: A Journey Between China's Past and Present by Peter Hessler, it was a non-fictional observation about China and the impact that globalization has had on Chinese society. This book is a work of fiction, by virtue of that fact, it was able to draw me further into all that it had to convey: on being Chinese, on the complicated intertwining of Chinese food culture and general culture, on the meaning of guanxi, on the wonders of Chinese cuisine.I had always felt that due to the unsavory nature of Chinese-American food as it is, that the true nature of Chinese cuisine has never been fully unleashed on the American palate. I have stewed on the fact that the French and Italian cuisines rank so much higher on the sophistication scale of the American gastronome versus the lowly Chinese cuisine. I felt it but I was unable to express it adequately. Nicole Mones has done this and more with this story.
I am stupefied, astonished and bumfuzzled by this book. What does it want to be? It's a history of China's food, Communist Revolution and massage parlors. It's a memoir of an old woman's childhood, a young woman's degrading relationships with men, an old man's career in restaurants and an ex-pat preparing for his mother's death --- and NONE of these people are central to the story. Their first person narratives are somewhat compelling but brief and in the end pointless. Instead, the main story centers on Sam and Maggie, two of the most wooden, tepidly written characters you'll ever come across. Sam is a Chinese/American chef and Maggie is an American food writer sent to China to interview him. The problem is they're flat as cardboard. Open to any page and try to imagine real people speaking the dialog of these two. For instance, after Sam has failed to impress his uncle with his cooking, he prepares to try again. In the kitchen, Sam says to Maggie: "He's right. A meal like this has to be subtle." He cut with irritated clacks of his cleaver. "I ought to have known that." "Well," she said. She sat listening to the rhythm of his cutting. This was a sound she liked. In time she noticed that the kitchen was a litter of sauces, chopped piles, covered dishes, and used bowls, and she walked to where he was standing. "I think you should move over, Sam. If you could. Make room at the sink. I can't cook in the slightest. I would never think of trying to help you. But I can wash. I happen to be very good at washing, and there's a lot of it here. Let me clean up behind you." "You can't do that. You should sit down. You're a guest." "You want me to be relaxed, right? Comfortable?" She waited for his confirming glance. "Then let me help. You're American.
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